By Cassandra Clark.
When two stray girls, the traumatised Maud and talkative Petronilla, turn up at Hildegard’s remote establishment, trouble is sure to follow – and it does when some right villains turn up and give the place a thorough going-over. With her two new charges, the nun heads off to York, where she has business with a candlemaker, and Archbishop Neville with regard to the Cross of Constantine (uh-oh!) The town is preparing for the festival of Corpus Christi, but the Peasants’ Revolt and opposition to John of Gaunt form strong undercurrents in the area.
And before you can say “Sicut erat in principio”, Hildegard is busy running towards every danger that York has to offer. Fanatical, extremist nunnery? Tick that one off. Explosions and fires? Tick that one off. Midnight meetings with rebels and murderous battles? Tick that one off. Sneaking up to remote mills where hot babes are being held against their will? Tick that one off. Rescuing Maud from wicked knights, and escaping from a religious fanatic from the nunnery? Keep ticking those boxes. A medieval nun’s hair-raising adventures never end.
Clark once again opts for her multi-climactic style of storytelling, but like the first volume, seems to resolve the main plot a little too soon, leaving the B, C, D, etc. plots to be wrapped up in a long tail, which undermines the effectiveness of the narrative. Once the subplots had been concluded, the novel should really have finished with Maud and Petronilla narrowly escaping from the lecherous advances of Henry Bolingbroke or his dad, followed by a brief epilogue.
The book is still garnished with a smattering of inappropriate Americanisms, and there are strong arguments for the removal of various scenes and descriptions, especially of activity in York, which merely impede the progress of the actual narrative in this idealised, 21st-century portrayal of medieval skulduggery.